Lucy Williams takes mid-twentieth-century Modernist architecture as her inspiration to create softly shaded, intricate collages. Working with mixed media, the artist turns these often cold and brutal constructions into warm, human spaces. Even though they remain unoccupied, we can almost feel the presence of people in these diverse settings that include housing projects, government buildings, department stores and swimming pools.
‘I am interested in how the architecture was first imagined,’ says Williams, ‘working from grainy images, the reconstruction of the past, and in turn, the forming of a contemporary narrative, become an element of my practice.’
In Lucy Williams the British artist reveals the multiple processes involved with creating her work, displaying her collages alongside photographs of the buildings that have inspired it.
Her intricate work depict deserted scenes. Williams breathes life into these constructions – many of which are sadly no longer in existence. She’s fascinated by process, with craft, working with wool, gravel and cotton to ask us to stop and marvel at their detail and beauty.
Her work depicts the tension of the precision and masculinity of the stark utopian architecture and the painstaking and traditionally feminine domain of craft.
‘The illusion that I aim to achieve is an image that is simultaneously industrial and tactile,’ she writes of the House of Glass at Twilight collage in 2009.
The book covers the work of some of the key Modernist architects – Alvar Aalto, Philip Johnson, Adolf Loos, Mies van der Rohe, Walter Gropius and Eric Lyons – as well as less remembered names. In recent years her concerns have shifted to buildings constructed after the Second World War, and in particular the housing estates around the Barbican Centre in London.
Williams says she is fascinated by the utopian ideal. ‘The period of time that those buildings were made was a period of optimism and hope.’
Lucy Williams is published by Roads.