‘Georg Baselitz: Sculptures 2011-2015’ opens at the Serpentine, London

Georg Baselitz “Zero Mobil” (2013-2014) © Jochen Littkenmann for Georg Baselitz At Serpentine

Ten wooden sculptures by the German artist Georg Baselitz, each shaped from an individual tree trunk, stand and recline and hover over the daylight-lit rooms of the Serpentine South gallery. Some are enormous, carved with twisting and turning shapes and crude, rough edges. They are at once overpowering yet soft and gentle. And there is humor and humanity in their interactions.

“Georg Baselitz: Sculptures 2011-2015” is the first public showing of this body of work, created between the dates on the title and modelled on himself and his wife Elke, a life-long inspiration and artistic partner, with subjects that reflect on history, personal life, childhood memories. “What is essentially being exhibited is like a cabinet of wonders: a sphere within a sphere within a sphere from a tree trunk with a chainsaw,” says Baselitz of the exhibition.

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Sanlé Sory and Kyle Weeks connect at ‘Meeting at the Volta’ at David Hill Gallery 

Kyle Weeks, “Spo and Holali,” Accra, Ghana, 2021 © Kyle Weeks

Two generations of photographers, displayed side-by-side, powerfully capture the lively energy of West Africa. ‘Meeting at the Volta,’ at David Hill Gallery in London, features Sanlé Sory’s gentle studio-shot monochrome portraits of Burkina Faso in the 1960s-80s alongside contemporary photographer Kyle Weeks’ bold and colourful body of work, taken within the last six years on the streets of the Ghanaian capital Accra.

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‘Lost Girls’ at Flowers Gallery looks to the world of girls and women affected by war

An exhibition opening this October at Flowers Gallery in London looks at the profound challenges facing girls and women affected by war. Organised by War Child UK and curated by intersectional feminist art collective InFems to coincide with the UN International Day of the Girl Child, the ‘Lost Girls’ message is about empowering women in war by focusing on survival rather than victimhood. It marks 30 years since War Child and Flowers Gallery showed their celebrated charity exhibition ‘Little Pieces from Big Stars’.

All the artists represented in the show have put women and girls at the centre of their practice. They include artists and activists Ai Weiwei, Owanto, Tewodros Hagos and Tracey Moffatt, radical British-born American feminist Penelope Slinger, the art-punk pioneer Linder, and Caroline Coon, a counterculture hero since the 1960s.

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Recalling some of the highlights of the summer’s exhibition

“O que é um museu?” (What is a Museum?), Lina Bo Bardi – A Marvellous Entanglement (2019) © Isaac Julien, Courtesy the artist and Victoria Miro. Photo Angus Milll/Tate

From Isaac Julien’s political, poetic and utterly gorgeous show at Tate Britain to the equally powerful Carrie Mae Weems survey at the Barbican, Tomás Saraceno spiders and other species awakening us to our connection to nature at the Serpentine Galleries in conversation with Lina Ghotmeh’s delicate timber Serpentine Pavilion, and Leonardo Drew’s explosive installation at Yorkshire Sculpture Park Chapel, there’s been no shortage of excellent art and design in London and beyond this summer season.

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The story behind Rolls-Royce Coachbuild La Rose Noire Droptail

Rolls-Royce’s Coachbuild La Rose Noire Droptail is the story of artistry, craft, skill and sheer determination. The dream of an unnamed customer, and inspired by the Rosa Black Baccara, La Rose Noire is the first of only four completely new motor cars Droptails, each of which will have its own unique character.

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