Linear concepts of identity go under the spotlight at Gagosian exhibition ‘Rites of Passage’

Elsa James ‘Ode to David Lammy MP’ (2022) at ‘Rites of Passage’, Gagosian Gallery, Photo Lucy Dawkins

In ‘Rites of Passage’ published in 1909, the anthropologist Arnold van Gennep spoke of the concept of liminality, and how we mark critical transitional events through ceremonies with a ritual function that transcend cultural boundaries.

The idea forms the premise for an interesting exhibition currently at Gagosian Britannia St. London. Borrowing the book’s title, it explores the idea of liminal space through the lens of nineteen contemporary artists, primarily based in the UK, who share the story of migration. 

The work on display come in various mediums, for a lively discourse challenging linear narratives and fixed concepts of identity.

It’s good to see such complex and varied conversations around movement, migration – really relevant themes that have to be explored further and further, and through multiple voices and lenses. 

Read on

Memory, race, identity inform Sondra Perry’s winning artwork for Rolls-Royce Dream Commission

Sondra Perry’s “Lineage for a Phantom Zone”
Lineage for a Phantom Zone – photo credit Sondra Perry

Themes of lineage, memory, longing, race, identity form the basis of the latest artwork created under the patronage of Rolls-Royce Motor Cars. American artist Sondra Perry’s Lineage for a Phantom Zone uses the concept of dreams as a space for reconfiguring history. Her immersive and powerful audio-visual installation reconstructs an imaginary dream about her grandmother. This is a highly personal story told through the lens of imaginings as a way of discussing critical notions surrounding the erasure of Black history in the American South. The artist has imagined the dream space as a passage to reach sites of heritage absent in reality. Read my interview with Jessica Persson-Conway, head of Rolls-Royce art program, here.