Two art projects commissioned by the BMW Group for Frieze London 2021 set out to explore the human/machine relation in new and exciting ways. Madeline Hollander’s ‘Sunrise/Sunset’ is an installation of 96 disused headlights salvaged from the company’s recycling centre. Playing on the responsive nature of these automatic adaptive car headlights which react to movement, light and weather conditions, the artist has matched each to different global time zones to create a networked map that mimics the sun rising and setting across the globe. Hollander’s art examines how our erratic individual actions and everyday technologies can synchronically align, become a collective and, in the case of the installation for Frieze, turn into a cascading technological dance.
Dancers from Studio Wayne McGregor interact with the robot in ‘No One is an Island’ (c) Ravi Deepres/BMW AG
Meanwhile, dance choreographer Wayne McGregor and experimental studio Random International’s ‘No One is an Island’ is a live performance involving a multi-armed robot and two human dancers. Playing the lead role is the robotic sculpture — an enigmatic machine whose liquid movements are steered by advanced algorithms. As it transitions from robot to human likeness, the two dancers in turn interact with the kinetics, all of which is performed to the hypnotic soundscape of Tokyo electronic music artist Chihei Hatakeyama. The idea here is to visualise how a minimal amount of information can animate form so that it can be recognised as human, while the most subtle changes in information can have an equally fundamental impact on our behaviour.
