Contemporary dance company Wayne McGregor has teamed up with experimental art studios Random International and Superblue to explore the human relation to machine and technology. Informed by the technology behind BMW i, ‘No One is an Island’ combines sculptural, performative and musical elements. Through electrified movement steered by advanced algorithms and inspired by Picasso’s light drawings, it reflects on how the human mind can empathise with artificial intelligence and automated processes. Dancers perform to the electronic sound of Chihei Hatakeyama adding a performative dimension to the sculpture, while re-translating and celebrating the connection between human and mechanical movement.
In 1972, Associated Press photographer Nick Ut snapped a nine-year-old naked girl fleeing the Napalm bombing with a group of children. In a single frame, ‘The Terror of War’ captured the horrors and human loss of the Vietnam war. The Pulitzer Prize-winning image helped change the course of history, sparking public outrage around the world. Shortly after the image was published, the war came to an end.
The power of a photograph to influence humanity’s collective consciousness cannot be understated. And, Émeric Lhuisset’s work is a critique of a global culture where fact and truth are in danger of losing all meaning. The French visual artist would like to tell an alternative story to contemporary photojournalism and its often sensationalized images of war and migrants, shocking at first yet quickly vanishing from memory. He wants to use the medium of photography to tell real stories of people – displaced people, the migrant, the refugee, the immigrant, the émigré.
Art literally comes to life at the Tate Modern Tanks in London with Ten Days Six Nights. This is the first in the BMW Tate Live series designed to interact with the viewer, explore the meaning of art, the role of the gallery and the power of the arts to help shape society.