Fiona Banner: Brutal seduction

Fiona Banner’s work for Tate Britain’s 2010 Duveens Commission plays on situation and scale – neo-classical gallery space strikingly juxtaposed with two decommissioned fighter jets. Harrier is streamlined avian form playing martyr to deadly function – a trussed trophy reworked with hand painted feather markings mimicking its namesake; Jaguar lies upturned on the floor like a toy cast aside by its young owner – a polished mirror... Read More