Exhibition – Opera: Passion, Power and Politics

Opera requires gauze to be wrapped around the imagination. It is hoped that the power of music and that most versatile of all instruments, the human voice, helped along by the magic of lighting and design could help penetrate that gauze. So, it was with some trepidation that I went along to the preview of ‘Opera: Passion, Power and Politics’ at the Victoria and Albert museum in London. How do they convey that artful magic, which depends on... Read More

Political art: Ai Weiwei at the Royal Academy

Ai Weiwei’s work is full of contrasts and contradictions. They are at once robust and fragile, awkward and meticulously crafted, brutal and beautiful. The making reflects the message. Ai sculpts handcuffs from the precious jade, scribbles the Coca Cola logo on an ancient vase, and smashes another in a photographic sequence as a note on history, value, life. Ai Weiwei at the Royal Academy of Arts is the Chinese artist’s first retrospective... Read More

Exhibition review: Jim Dine

What would you think of a show where every print was covered with hammers and saws and an almost endless variety of spanners, scissors, tongs, pliers, and pincers? Jim Dine’s A History of Communism at London’s Alan Cristea Gallery offers a complex array of impressions. I came away impressed with the ingenuity, intrigued and a little moved too, but also somewhat uneasy. Let me explain. Dine has used a series of lithographic stones left over... Read More