Futura: The Typeface placed type in the context of design history

The Nazis hated Futura. They deemed the typeface as too radical – subversive even. Members of Bauhaus embraced it for its radicalism, and it came to be associated with the movement from 1919 through to 1933, when the school was forced to close and its members dispersed around the world. Futura: the Typeface examines the fascinating story of this popular type. Published this month by Laurence King, the book taps into a new movement in exploring... Read More

Logo Modernism: the persuasive power of image and form

Jens Müller is fascinated by simple, reduced logos. The Düsseldorf-based graphic designer has been collecting examples for some years, examining each one, delving into their past, discovering their origin and narrating their design history. As many as 6,000 have found their way into Logo Modernism to form somewhat of an encyclopaedia of icons of graphic design. The ‘Modernism’ side, says the author, is by sheer chance – Müller just... Read More